Video performances by New Generation Artists in association with the Scarborough Philharmonic Orchestra.
Continue readingNew Generation Artists Video Portfolio
New Generation Film Composers Program 2020-21
Offered in partnership with Sheridan College’s Animation Program, the New Generation Composers’ Program at the SPO pairs emerging composers with a recently completed animated short for an exercise in film composition.
Season 2021-2022 Video Portfolio
The SPOGreatMusic Performance Series – Season 42 (2021/2022)
Due to continuing Covid 19 restrictions, the 2021-22 Season was offered entirely online featuring ensembles and guest artists of the SPO.
Summer Special Concerts 2021
WASCANA PARK: Eiizabeth Raum
July 31, 2021
Elizabeth Raum, composer; SPO Chamber Ensemble,
EPISODE 1: Oct 8, 2021
The Mystic Aegean: Oct. 8 2021
The Mystic Aegean, Suite for Violoncello and Piano (excerpts), composed by Mikis Theodorakis; Maximos Farmakidis, contrabass; Dr. Cecilia Lee, piano.
Ronald Royer’s “Danzón Overture“
Now Streaming As A Single And On “Journey Through Night” CD
EPISODE 2: Oct 22, 2021
MUSIC OF THE 60’S: Odin Quartet (Prelude from Psycho)
Composer: Bernard Herrmann; Performed by the Odin Quartet (Alex Toskov, violin; Tanya Charles Iveniuk, violin; Laurence Schaufele*, viola; Samuel Bisson, cello)
Henry Mancini’s “Moon River” from Breakfast at Tiffany’s (1961)
Performed by the Odin Quartet (Alex Toskov, violin; Tanya Charles Iveniuk, violin; Laurence Schaufele*, viola; Samuel Bisson, cello)
Monty Norman’s “James Bond Theme” from Dr. No (1962)
Richard M. Sherman & Robert B. Sherman‘s “Feed the Birds” from Mary Poppins (1964)
John Barry’s “Title Theme” from Goldfinger (1964)
Nino Rota’s “Love Theme” from Romeo and Juliet (1968)
Chris Meyer’s “Journey Through Night“
Performed by Odin Quartet. Audio and Video editor: Samuel Bisson. Best viewed at 1080p.
The Scarborough Philharmonic Orchestra has a core mandate to support and promote Canadian composers.
Episode 3: 2021-22
Bruno Degazio’s “Suite” from The Pearl – Part I
Performed by Odin Quartet
Journey Through Night Trailer:
Brahms’ String Quartet No. 3 in B♭ Major – 3rd Movement “Agitato”
TIME TO TANGO:
Jacob Gade’s “Jalousie” (Tango Tzigane)
TIME TO TANGO:
Carlos Gardel’s “Por una Cabeza”
TIME TO TANGO:
Astor Piazzolla’s “Oblivion”
Episode 4: Nov 26, 2021
Beethoven’s “Piano Sonata No. 26 in E♭ major, Op. 81a”, “Les Adieux”
Performed by Alexander Panizza
TIME TO TANGO:
Kevin Pang’s “Tango” (World Premiere on October 2, 2021)
TIME TO TANGO:
Carlos GSebastián Iradier’s “La Paloma”ardel’s “Por una Cabeza”
Astor Piazzolla’s “Milongo en Re”
Performed by Maximos Farmakidis, flute, and Dr. Cecilia Lee, piano
To learn more about the composer, Astor Piazzolla, visit https://en.wikipedia.org/wiki/Astor_Piazzolla.
Episode 5: Dec 10 2021
Vivaldi’s “Vedro con mio Diletto” from “Il Guistino”
Performed by Odin Quartet (Alex Toskov, violin / Tanya Charles Iveniuk, violin / Esme Allen-Creighton*, viola / Samuel Bisson, cello) with Angela Gibbon, soprano / Ronald Greidanus, harpsichord
Swan Hennessy’s “Trio for 2 Clarinets and Basson” Op. 54
Ariel Ramírez’s “Misa Criolla”
Performed by the Toronto Choral Society (under the baton of Music Director and Conductor, Geoffrey Butler) with the Cassava Latin Band.
Episode 6: Dec 17 2021
Robert Wells and Mel Tormé‘s “The Christmas Song”
Performed by Dr. Lisa Tahara
Ariel Ramírez’s “Navidad Nuestra”
Performed by the Toronto Choral Society (under the baton of Music Director and Conductor, Geoffrey Butler) with the Cassava Latin Band.
Irving Berlin’s White Christmas
Performed by Dr. Lisa Tahara
Episode 7: Dec 31 2021
Massimo de Lillo’s “Ninna Nanna del Mare”
Performed by Odin Quartet
Johann Strauss II’s “The Blue Danube”
Performed by Odin Quartet
Episode 8: Jan 14, 2022
Johannes Brahms’ “Violin Concerto in D major”, Op. 77, 2nd Movement (Adagio)
Performed by Tiffany Yeung, violin, and Ben Smith, piano
Franz Joseph Haydn’s “Andante and Variations in F minor” Hob. XVII 6
Performed by Vanessa Yu, piano
Johann Sebastian Bach’s “Cello Suite #6 in D major” BWV1012 / 1st Movement: Prelude Ellamay Mantie, cello
Cello Suite #6 in D major BWV1012 – Allemande – J.S. Bach – Ellamay Mantie, cello
Cello Suite #6 in D major BWV1012 – Courante – J.S. Bach – Ellamay Mantie
Episode 9: Jan 28, 2022
Images: ICOT
Claude Debussy’s “L’Isle Joyeuse” L.106
Performed by Vanessa Yu
ESTRELLITA – Manuel Ponce – Tiffany Yeung, violin; Christopher Yeung, piano
Hungarian Dance No. 1 – Johannes Brahms – Tiffany Yeung, violin, Ben Smith, piano
Cello Suite #6 in D major BWV1012 – Sarabande – J.S. Bach – Ellamay Mantie, cello
Cello Suite #6 in D major BWV1012 – Gavottes – J.S. Bach – Ellamay Mantie, cello
Cello Suite #6 in D major BWV1012 – Gigue – J.S. Bach – Ellamay Mantie
Episode 10, Feb 4, 2022
FLUTE MUSIC BY WOMEN COMPOSERS: AN INTERNATIONAL ONLINE FESTIVAL 2022
BECAUSE WE COULDN’T GET LIZZO – Kelly Catlin – Norman Menzales
EMBRYO – Rebekah Cummings – Laurel Swinden and Dan Cummings
DOPPLER EFFECT – Adrienne Albert – The Alcyone Ensemble
SEVILLE ORANGE TREE – Parisa Sabet – Laurel Swinden & Talisa Blackman
Episode 11, Feb 11 2022
FLUTE MUSIC BY WOMEN COMPOSERS: AN INTERNATIONAL ONLINE FESTIVAL 2022
FORGETTING – Shreya Jha – Mor Shargall-Bisson and Talisa Blackman
New Generation Film Composers 2021-22
The New Generation Film composer program is offered annually in collaboration with Sheridan College’s Animation Program. Watch here for application details and deadlines.
Continue readingNew Generation Composers 2022
New Generation Composers Workshop, 2021-22 Program
Performed by Odin Quartet (Alex Toskov, violin / Tanya Charles Iveniuk, violin / Matt Antal, viola / Samuel Bisson, cello). These compositions were presented as part of the Scarborough Philharmonic Orchestra’s New Generation Composer’s Workshop activities from our 2021/2022 season. Due to the pandemic, finishing audio recording and video editing delayed the release of these NGCW works. The SPO is pleased to have completed this core project and we appreciate the patience of the composers involved with this project, as well as the outstanding efforts made by the musicians and editors.
This project was made possible through the support of:
The Scarborough Philharmonic Orchestra is pleased to present new music from young Canadian composer, Mr. Harris Clark, as part of our ongoing SPO New Generation Composers Workshop activities. As the Covid-19 pandemic continues, Mr. Clark used electronic sound generators to produce and record this selection. Mr. Clark also created the video to accompany his music. Here’s a brief message from Mr. Clark: “I created the song first, and I wanted it to be exciting and energetic. I also wanted to use a few different sounds, such as the piano and various electronic instruments. Then, I was invited by the SPO to create a video to go along with the music. It tells the story of a man getting out of work for the weekend, going to a party, and on the next day, going for a walk in the Guild Park and Gardens in Scarborough.”
FORGETTING – Shreya Jha – Mor Shargall-Bisson and Talisa Blackman
New Generation Composers 2021
These works were presented as part of the Scarborough Philharmonic Orchestra’s annual 2020-21 New Generation Composers Workshop project. The NGCW creates opportunities for young, Canadian composers to create new music for small ensembles and to be mentored by professional Canadian composers from the SPO community, including SPO Music Director and Conductor, Mr. Ronald Royer.
The 2020-2021 New Generation Composer Program was made prossible, in part, through the support of:
Finding Focus, Paul Kawabe, composer
Scarborough Philharmonic Orchestra Chamber Ensemble: Lesley Duff (flute), Gillian Howard (oboe), Kaye Royer (clarinet), Larkin Hinder (bassoon), Andrew Merideth (horn), Connor Crone (bass) with the Odin Quartet – Alex Toskov (violin I), Tanya Charles Iveniuk (violin II), Veronica Lee (viola), and Samuel Bisson (cello) Video assembled and edited by Paul Kawabe.
Paul Kawabe is a Toronto based composer and Master’s student at the University of Toronto studying composition with Prof. Gary Kulesha. His compositions explore the imagined or hidden personalities of any material he finds interesting – ranging from plant evolution to old buildings. His past compositions have been performed by peers, youth orchestras, and read by professional ensembles such as the New Orford and Calidore String Quartet.
Telephonic, Steven Webb
Steven Webb, composer; Scarborough Philharmonic Orchestra Chamber Ensemble: Lesley Duff (flute), Gillian Howard (oboe), Kaye Royer (clarinet), Larkin Hinder (bassoon), Andrew Merideth (horn), Connor Crone (bass) with the Odin Quartet – Alex Toskov (violin I), Tanya Charles Iveniuk (violin II), Veronica Lee (viola), and Samuel Bisson (cello) Video assembled and edited by Steven Webb. Sound mix by Steven Webb.
Here’s a personal programme note from Steven Webb: “I began my work on what would become ‘Telephonic’ after reading a news article on recently discovered early audio recordings from the 1860s. Through the use of modern computer and laser-scanning systems, we are now able to playback some of these early recordings that would otherwise be inaccessible due to the fragility of the playback cylinders. I was overwhelmed by the idea of hearing human voices from over 150 years ago, and the beauty and imperfect nature of these early recordings strongly resonated with me. Since many of these early recordings were captured by the inventor of the telephone, Alexander Graham Bell, I began to think more about how his invention began the transformative process of the development of the information age in the 20th century, ultimately leading to the invention of the internet and other instant telecommunication devices we take for granted in the 21st century. Telephonic thus ultimately turned into a tribute to this invention, and its massive impact upon all aspects of human society. The electronics are made up entirely from two early recordings — an 1860 recording of the French folk-song Au claire de la lune and an 1880 recording of G.F. Handel’s Israel in Egypt. Special thanks to the SPO and the SPO musicians for the opportunity to participate in the New Generation Composers Workshop program and to have had this amazing opportunity” – SW
Amino, Laia Bent
Laia Bent, composer; Scarborough Philharmonic Orchestra Chamber Ensemble: Lesley Duff (flute), Gillian Howard (oboe), Kaye Royer (clarinet), Larkin Hinder (bassoon), Andrew Merideth (horn), Connor Crone (bass) with the Odin Quartet – Alex Toskov (violin I), Tanya Charles Iveniuk (violin II), Veronica Lee (viola), and Samuel Bisson (cello) Sound editing and mixing by Bruno Degazio. Video assembled and edited by Cassandra Yao.
Here’s a personal programme note from Laia Bent:
“Amino is a musical adaptation of the amino acid sequence of a spinal protein, bringing the music of life to the SPO. The process of writing the piece began with assigning each of the 20 amino acids, the fundamental building blocks of life, to a note on the chromatic scale based on their affinity for water. This allowed the music to reflect the actual layout of the protein, with ‘water-liking’ amino acids towards the exterior of the protein assigned to higher notes, and vice versa for ‘water-disliking’ amino acids. Using this method, an 8-letter sequence was translated into a melody, which formed the thematic basis for the rest of the piece.” Laia is a grade 12 student at the University of Toronto Schools. She is interested in global health, music, and international affairs. She is also a leader amongst her peers and has presented on the world stage. Laia’s passions come together in “Amino”.
Air – Michael Maevskiy
Michael Maevskiy, composer; Scarborough Philharmonic Orchestra Chamber Ensemble: Lesley Duff (flute), Gillian Howard (oboe), Kaye Royer (clarinet), Larkin Hinder (bassoon), Andrew Merideth (horn), Connor Crone (bass) with the Odin Quartet – Alex Toskov (violin I), Tanya Charles Iveniuk (violin II), Veronica Lee (viola), and Samuel Bisson (cello) Video assembled and edited by Michael Maevskiy.
Here’s a personal programme note from Michael Maevskiy: “Air was inspired by both the lyrical baroque form of the same name, as well as by the physicality of the breath. I have been often fascinated how long, slow, swelling, and shimmering phrases can entrance the listener, and I wanted to try that out for myself.”
Michael Maevskiy (b. 1997) is a Russian-Canadian composer based in Kingston, ON. His music explores conceptual and philosophical ideas, often expressed through visceral gesture and ephemeral apparitions of sound. His style favours rich harmonies and melodic lines transfigured through a contemporary perspective, inspired by his heritage of romantic and contemporary Russian composers.
Patience, Lucas Fournier
Lucas Fournier, composer; Scarborough Philharmonic Orchestra Chamber Ensemble: Lesley Duff (flute), Gillian Howard (oboe), Kaye Royer (clarinet), Larkin Hinder (bassoon), Andrew Merideth (horn), Connor Crone (bass) with the Odin Quartet – Alex Toskov (violin I), Tanya Charles Iveniuk (violin II), Veronica Lee (viola), and Samuel Bisson (cello) Music edited and mixed by Bruno Degazio. Video assembled and edited by Lucas Fournier.
Lucas Fournier is an aspiring musician currently living in Montreal, Quebec. He went to high school at University of Toronto Schools and currently he is studying music at McGill University while working on his first album, Many Waters, hopefully to be released in mid-to-late 2021. Lucas is passionate about songwriting and composition, blending elements of classical and popular music in his indie-folk songs, and composing and arranging music for string quartet and chamber ensembles. His music is inspired by artists like Bon Iver, Radiohead, Sufjan Stevens, Bryce Dessner, Philip Glass, and S. Carey. Follow @lucas__fournier on instagram for updates about current and future projects and releases!
Here’s a personal programme note from Lucas:
“Often when I write music, it’s a quick, instinctual process, but Patience was written over the course of several months. Interestingly, I originally developed some of the melodies and harmonies before the pandemic began last March, but only gave structure to the piece in the fall of 2020. Although only about 7 months passed from when I began and finished Patience, it was started and finalized in two completely different worlds. As I brought the piece together with this in mind, I wanted it to tell a fragmented story with twists and turns, though not a melancholic and hopeless one. The result is an unpredictable piece that subverts expectations in structure but maintains a cohesion through a sense of hope and belonging.”
Michael Cheng, composer; Scarborough Philharmonic Orchestra Chamber Ensemble: Lesley Duff (flute), Gillian Howard (oboe), Kaye Royer (clarinet), Larkin Hinder (bassoon), Andrew Merideth (horn), Connor Crone (bass) with the Odin Quartet – Alex Toskov (violin I), Tanya Charles Iveniuk (violin II), Veronica Lee (viola), and Samuel Bisson (cello) Music editing and mixing by Bruno Degazio. Video assembled and edited by Ira Puri.
Here’s a personal note from Michael Cheng:
“The idea for this piece came while watching a video essay called “Why Miyazaki’s Films Sound Pretty” analyzing the work of composer Joe Hisaishi, who scored many films for legendary animator and director Hayao Miyazaki. I wrote a tone poem depicting part of the Japanese folk tale of the “Snow Woman” (Yuki Onna), as told by Lafcadio Hearn. To summarize, an old woodcutter named Mosaku and his apprentice Minokichi are caught in a blizzard and take refuge in a small hut. Mosaku and Minokichi both fall asleep. After a while, Minokichi is awoken by a beautiful pale woman with an ethereal glow and ice-cold breath. The woman tells him that she feels pity and will spare his life on the condition that he never tells anyone about her. She disappears, and Minokichi finds Mosaku frozen to death. (0:00–0:51) represents calm before the storm, drawing heavily on impressionist influences, particularly Maurice Ravel’s “Daphnis et Chloe”, in which his use of quintal harmonies, soft string accompaniment, and soaring wind melodies create a serene, beautiful atmosphere. The title of my piece is an allusion to this work. (0:51–2:47) marks the beginning of the storm. I moved away from impressionist influences, looking towards Béla Bartók’s string quartets for a more aggressive, rhythmically-driven sound. (2:47–3:23) symbolizes the appearance of the Snow Woman. I used a similar texture to the intro with darker harmonic language; the quintal shape of the strings replaced with darker quartal harmony. I also incorporated Japanese influences more explicitly, as the melody is loosely based on the “Edo Lullaby” (Edo Komoriuta). Both melodies are based on the miyako-bushi scale, one of the darker scales used in Japanese folk music. Many thanks to the SPO for this incredible opportunity, to Ira for producing this stunning video, and for everyone’s hard work in making this piece possible!”
A note from the Ira: “I’ve worked with Michael before, for an art project where he scored an original video work of mine, so I was excited to embark on this project where I would produce a film for an original composition. ‘Minokichi’ is full of audio cues — trills, ascensions, striking chords. A picture immediately came to mind, of frozen ice and strong winds, of magic and darkness, and creative new worlds. I wanted to reflect the warped and frenetic atmosphere I visualized when listening to the piece. Over the winter, I took long walks around the city. Every time I found vibrant colours in the darkness, I collected footage. Sewn together in Premiere, the short clips became warped, slowed and tinted to create the world my character enters on a cool winter’s day. The frozen-lips ending of the film is inspired by the original story of the Snow Woman, replicating the eerie pale woman in possession of ice. Michael’s pieces continue to astound me, and the SPO’s rendition of his composition was full of rich audio imagery. I hope you enjoy our collaboration, and many thanks.”
SPOGreatMusic Performance Series – 2020-21
Episode 1, Oct 9
Chris Wind’s “Lament for Contrabass”
Arranged for and performed on bass by Maximos Farmakidis. Originally written for the viola, this arrangement, performance, and video effectively represents how many of us are and have been feeling during the Covid-19 pandemic.
Ludwig van Beethoven’s 6th movement (Andante con moto alla marcia, Presto) from the “Septet in E-flat Major, Op. 20”
Featuring violinist Joyce Lai, violist Ian Clarke, cellist Ronald Royer, bassist Tim Fitzgerald, clarinetist Kaye Royer, bassoonist Kristin Day, and hornist Jason Austin.
Maurice Ravel’s “Jeux d’Eau” (Playing Water)
Featuring Alexander Panizza, piano. Besides showcasing his truly exceptional piano performance, Alexander created this video to illustrate this impressionistic music about “playing water”.
J. S. Bach’s “Prelude from the Cello Suite No. 6 in D Major”
Featuring Ellamay Mantie. The 6th suite was written for a five-string instrument, which is not commonly used today. This suite is normally included with the five that were composed for cello, but is quite difficult to play. The prelude is an excellent vehicle for Ellamay, who displays an advanced technique and an expressive musically. The SPO has a mandate to support young artists and we are proud to showcase this local high school student who is planning to study music further in university.
Emily Shapiro’s “Utter Zoo” – Trailer
Check out the trailer for “Utter Zoo” from Emily Shapiro and Elizabeth Brown, two talented woodwind players and creatives.
Episode 2, Oct 23, 2020
Beethoven’s 1st Movement from “Cello Sonata No. 3 in A major, Op. 69”
Ronald Royer, cello; Dr. Lisa Tahara, piano.
Beethoven’s 2nd Movement from “Cello Sonata No. 3 in A major, Op. 69”
Ronald Royer, cello; Dr. Lisa Tahara, piano.
Beethoven’s 3rd Movement from “Cello Sonata No. 3 in A major, Op. 69”
Ronald Royer, cello; Dr. Lisa Tahara, piano.
Emily Shapiro’s “Utter Zoo – Part 1”
Featuring music composed by Emily Suzanne Shapiro and words by Edward Gorey, “Utter Zoo” is wonderfully strange and intriguing. Contributing artists include declaimist, Megalodipticus, and two talented musicians, Elizabeth Brown (oboe, english horn), and Emily Shapiro (clarinet, bass clarinet). The movements are: Ampoo / Boggerslosh / Epitwee / Fidknop / Humglum. Mixing and mastering was done by Alexis Hählen.
The Burning Heart – Odin String Quartet with Julian Richings – Hallowe’en Special Content
“The Burning Heart” by Hans Zimmer & Klaus Badelt from the 2001 film “Hannibal”. Text from La Vita Nuova by Dante Alighieri as quoted in the film, with additional text by David Mamet & Steven Zaillian. Performers: Alex Toskov (violin/viola/vocals) Tanya Charles Iveniuk (violin/viola/vocals) Veronica Lee (viola/vocals) Samuel Bisson (cello/vocals) Julian Richings (narrator) Audio Editing: Samuel Bisson Mixing & Mastering: Kambiz Mirzaei Video Editing: Samuel Bisson.
Episode 3, Nov 6, 2020
J. S. Bach’s “Partita No. 2 in D minor” BWV 1004
The Scarborough Philharmonic Orchestra is thrilled to have this complete and intimate performance by our SPO Concertmaster, Mr. Corey Gemmell.
Emily Shapiro’s “Utter Zoo – Part 2”
Episode 4, Nov 20, 2020
Maurice Ravel’s “Alborada del Gracioso”
featuring Alexander Panizza, piano.
J. S. Bach’s “Gigue from Suite No. 2”
Featuring Ellamay Mantie. Ellamay displays an advanced technique and an expressive musically. The SPO has a mandate to support young artists and we are proud to showcase this local high school student who is planning to study music further in university.
Franz Schubert’s “Trio in B-flat Major” for violin, viola, and cello
Joyce Lai, violin; Brenna McLane, viola; Ronald Royer, cello. Enjoy this fantastic performance, recorded on September 27, 2019, at St. Paul’s L’Amoreaux Anglican Church. Audio recorded by John S. Gray. Video provided by Vanessa Yu. Video edited by Devin Scott.
Iranian-Canadian Composers of Toronto’s “Caravan Rhapsody” Scrolling Score
Saman Shahi, Keyan Emami, and Maziar Heidari, composers; Maziar Heidari, conductor; Joyce Lai, violin; Ian Clarke, viola; Ronald Royer, cello; Tim FitzGerald, bass; Kaye Royer, clarinet; Kristen Day, bassoon; Jason Austin, horn. The Scarborough Philharmonic is thrilled to have a fantastic working relationship with the Iranian-Canadian Composers of Toronto (ICOT). The SPO commissioned “Caravan Rhapsody”. Funding support from the Canada Council for the Arts is greatly appreciated.
Evangelos Kokkoris’ “Fantasia”
“Fantasia” is a composition for solo contrabass and piano touched by an air of French and Italian music. It is dedicated to my good friends Maximos Farmakidis (contrabass) and Dimitra Marangozis (piano). Italy, specifically Venice, is the place where I studied composition and I realized the notion of the arts. The presence of music in Venice runs deep into my soul. Images of my birth place Greece and images of Venice, the place I studied both coexist in my musical imagination and in my composition “Fantasia”. In Greek, fantasia means imagination. – Evangelos Kokkoris, composer.
Episode 5, Dec 4, 2020
Beethoven’s “Violin Sonata, Op. 30, No. 2, in C minor”
The Scarborough Philharmonic Orchestra is thrilled to have this complete performance by our SPO Concertmaster, Mr. Corey Gemmell, and our 2020/2021 Artist-in-Residence, Dr. Lisa Tahara.
“Chanukah Medley” – Traditional
Chag Urim Sameach! Happy Chanukah! SPO Music Director and cellist, Ronald Royer, performs a medley of traditional music with his wife and SPO principal clarinetist, Kaye Royer. Music arranged by Daniel Kelley.
I. Chanukah II. S’Vivon III. My Dreidel
“Sim Shalom” – Composed by Max Janowski
Performed by the Toronto Choral Society with cantorial soloist, Geoffrey Butler.
The SPO is honoured to present this amazing video from our friends at the Toronto Choral Society. A fantastic video with so many singers, too! Learn more about the Toronto Choral Society at https://www.torontochoralsociety.org/.
Episode 6, Dec 18, 2020
Glière’s “Cradle Song” from Eight Duets, Op. 39″
The Scarborough Philharmonic Orchestra is proud to present this video as part of our “Together, Apart” content, featuring SPO violinist, Julia Zisser and our Music Director and Conductor, Ronald Royer, on cello. To complete this video in the safest way possible, both Julia and Ron recorded their parts separately, at different times and in different locations.
Pietro Yon’s “Gesù Bambino”
Our second “Together, Apart” video features SPO principal clarinetist, Kaye Royer, along with her husband and SPO Music Director/Conductor, cellist Ronald Royer, and our SPO 2020/2021 Artist-in-Residence, pianist Dr. Lisa Tahara.
“Greensleeves” – Traditional
“Greensleeves” is a traditional English folksong favourite, believed to have been composed by Henry VIII for his future love, Anne Boleyn. For centuries, it has been associated with the monarch. Enjoy this duet performance by Kaye and Ronald Royer.
“Have Yourself A Merry Little Christmas”
Words and music by Hugh Martin and Ralph Blane. Arranged by Brent Edstrom. This tune was first featured in the 1944 MGM film, “Meet Me in St. Louis”. Performed beautifully on piano by Dr. Lisa Tahara.
“I’ll Be Home For The Holidays”
Words and music by Kim Gannon and Walter Kent. Arranged by Dan Coates. Once again, Dr. Lisa Tahara performs for us on the piano.
“Pat-a-Pan” – Traditional
Arranged by Daniel Kelley. Ronald and Kaye are happy to present their duet of this traditional holiday music. The SPO appreciates the support of all of our musicians who have stepped up to offer you these great performances.
“Silver Bells”
Words and music by Jay Livingston and Ray Evans. This classic holiday standard was first introduced in the 1951 Paramount Pictures film, “The Lemon Drop Kid”. Performed on piano by Dr. Lisa Tahara.
We Three Kings Of Orient Are
Composed by John Henry Hopkins. Arranged by Daniel Kelley. To close out our 2020 Holiday Music offering, our popular SPO husband and wife duo perform this great Holiday music classic.
Episode 7 Jan 15, 2021
Maurice Ravel’s Ondine from Gaspard de la Nuit Pianist: Alexander Panizza.
Dvořák’s Serenade for Wind Instruments, Cello and Double Bass in D minor, Op. 44 – Movement 1
Performed by the Winds of the SPO.
Ontario Sketches: Land of The Silver Birch” Scrolling Score
Arranged by Bruno Degazio. The main musical theme of “Land of the Silver Birch” is of course the well-known campfire song of that name.
J. S. Bach’s “Minuets” from Suite No. 1
We are honoured to present this performance of J. S. Bach’s Minuets from Suite No. 1, performed by an extremely talented young cellist, Ellamay Mantie.
Episode 8, Jan 29, 2021
Episode 9, Feb 12, 2021
Félix Mendelssohn’s “Variations sérieuses”, Op. 54
The Scarborough Philharmonic Orchestra is thrilled to include this fine performance by young and talented local pianist, Vanessa Yu. Vanessa is also a New Generation Artist.
Jasmine Flowers: SPO Womens’ Chorus
Velvet Flowers: SPO Womens’ Chorus
Wisteria Flowers: SPO Women’s Chorus
Ontario Sketches: Reflection on the Huron Carol – Scrolling Score
‘Les Baisers Perdus’ by MIKA
Featuring Joey Niceforo and the Odin Quartet. Performers: Joey Niceforo, vocals; Raffi Altounian, guitar; Mor Shargall-Bisson, flute; Alex Toskov, violin; Tanya Charles Iveniuk, violin; Veronica Lee, viola; Samuel Bisson, cello
Episode 10, Feb 26, 2021
Maurice Ravel’s “Scarbo” from “Gaspard de la Nuit”
Maurice Ravel, Composer; Alexander Panizza, piano.
Ronald Royer’s “Danzon Overture”
Elizabeth Raum’s “Searching For Sophia”
Elizabeth Raum, composer. Performers: Joyce Lai, violin; Brenna McLane, viola; Ronald Royer, cello; Kaye Royer, clarinet.
Tōru Takemitsu’s “Air (1995)” – Performed by Rebecca Moranis
Ontario Sketches: Red Iron Ore – Scrolling Score – Bruno Degazio
Episode 11 March 12, 2021
Haydn’s “String Quartet in B♭ major” Op 76, No. 4 (Sunrise) Finale – Odin Quartet
Journey Through Night – Chris Meyer – Odin Quartet